The Endless Debate

Can’t we just stop the endless creators vs. old media debate?  

Hi, I’m Jim Louderback and this is my weekly creator economy newsletter. If you’ve received it, then you are either subscribed or someone forwarded it to you.

If the latter – and you want to subscribe, get it here!

  

This Week: More debate over creator crossover into MSM, super-insightful report on the state of create, and don’t sleep on these visual messaging / blogging apps!

MEETUP ALERT! So excited to do my third annual Inside the Creator Economy meetup in Lisbon at Web Summit! I’ll be gathering with friends from Influencers.Club at Catch Me Lisboa on Thursday November 14th from 7:30 until 9:30 for drinks, a beautiful view over the bridges and harbor (and some of us will likely decamp to a local restaurant for dinner after). See you there!

  

Creators <> Hollywood s19 e666

A cartoon of people on a red carpet

Description automatically generated Lots of bit-wagging this week about how creators can make or break traditional media. @Lia Haberman leaned into everything from Markiplier to The Great Gatsby to show how creators can lift up traditional media, while @Brett Dashevsky explored creators finding success in Hollywood and QYou’s high-value production process. However, it wasn’t all roses and unicorns. @Aden leaned into the apparent lack of success of three recent creator-first movies to question whether the pipeline is real. The conversation on the post is well worth reading. My take: we will see occasional success, but most successful creators won’t deliver Hollywood-style results – and that’s OK. It’s foolish to measuring creator-developed content via the yardstick of older media, both from a production and marketing perspective – much like using horsepower to measure a Tesla. Also, the full lifecycle value extraction of a creator-production will continue to deviate from traditional media economic models.

 

2025 Creator Economy Revealed

Community, AI and diversified revenue streams take center stage in this insightful look at 2025’s creator economy from ex-VC @Ollie Forsyth. As GenZ explodes into peak earning and influence, their lifestyle and work-choices will set the agenda – and bring big changes to the creator economy. Highlighted inside: creators can go global from day one, circumventing language and cultural barriers via AI, and big growth in expert newsletters – an area we are both building in. And even though Forsyth charts a marked slowdown in startup formation, he’s optimistic as more startups seem to be surviving. The report includes 180+ startups to watch, geographic hot spots, a look at the funding landscape and 8 top trends for 2025. Well worth a read – and a forward – to anyone trying to understand this weird hyper-growth market. Looking forward to having him on-stage at the Billion Followers Summit in Dubai this January too!

 

HERE COME THE VISUAL CHAT APPS

Two new visual chat / visual blogging apps are preparing to launch – and both have seen great results from TikTok teaser campaigns. First up – PackChat, the new venture from former Jungle Creations founder/CEO Jamie Bolding. It’s fun, visual and enables interactive storytelling between friends. Similarly, Daze is launching later this week, offering somewhat similar features and has been hyped not only on TikTok but in TechCrunch too (the a16z effect?). For more on visual blogging, check out this Daze love-letter from a Gen Alpha mom.

 

TREND SPOTTING IN INDIA:

Indian “culture collective” company Kommune (no, I don’t know what a culture collective is either) released a report outlining 5 key 2025 mega-trends in India. Along with a penchant for coming up with new words, the research surfaces trends also happening elsewhere, along with a few India-specific ones as well. But with almost 1.5 billion residents, even these trends are likely to spread. Ankur Mehra has a good summary, and this report is a must read for global creators and execs.

SPONSOR: WHALAR

NEW: Don’t miss another issue! Get this newsletter delivered in full to your inbox every Monday – subscribe on Beehiiv!

 

QUIBIS

 

YOUTUBE

 

META

 

TIKTOK

 

OTHER CREATOR ECONOMY

 

CREATOR TECH – AI, WEB3, VR, MORE

  

RESEARCH

  

Inside “Dracula Daily”

By Morgan Ward

The “internet’s coolest book club” celebrates a book published in 1897 – Bram Stoker’s Dracula. Every day from May 3rd through November 10th, the “Dracula Daily” newsletter emails a chapter of the book (a diary entry on a newspaper clipping) from that day in the book. Fans share Harker’s journey in real time together as it unfolds. This has led to a resurging interest in the novel and helps readers discover the humor and innate tragedy in an entirely new way. Dracula Daily, produced by Matt Strickland, has been “running” annually since 2022. Fans old and new continue to share insights on Substack and Tumblr along with creating gothic artwork inspired by each day’s missive. By repackaging the public-domain text in a new format Strickland has activated new generations of fans who keep coming back year after year. Move over remakes – readjusting the mode of distribution offers another way to kick-start fandom with aging franchises.

Go Deeper:

  • Subscribe to (or read the archive of ) Dracula Daily on Substack
  • Read the profile of Matt Strickland and Dracula Daily in The New York Times
  • Petrana Radulovic’s article for Polygon, includes a round-up of Tumblr’s best memes about the project.
  • Read Stickland’s interview with Slate back in 2022 – when the project first began.
  • Check out Unabridgedisbetter, tiffycat, and evydraws on Tumblr. They are high-profile fans within the fandom and post regular art/analysis about the project.
  • Peruse the tag on Tumblr to see how other fans are engaging.
  • Pick up Strickland’s book that includes his re-edited version of the novel along with fan commentary and artwork.

100% written by me – no human or AI ghostwriters were involved in the production (except for the cover art!).

Like this free newsletter? Buy me a coffee and say thanks! Or let’s do a meetup in your town.

I’ve built and sold multiple creator economy startups to top media companies – including Discovery and Paramount. Subscribe to get this newsletter every Monday.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.